Tongan barkcloth, made from the inner bark of the paper mulberry tree, still features lavishly in Polynesian ceremonies all over the world. Yet despite the attention paid to this textile in exhibitions, by anthropologists and by art historians, very little is known about its history. This book provides a unique insight into Polynesian material culture by exploring the rich cultural history of barkcloth. Arguing that the manufacture, decoration and use of barkcloth are vehicles of creativity and female agency, it places the materiality of textiles at the heart of Tongan culture.Based on extensive ethnographic and archival research over twelve years, Veys uncovers stories of ceremony, gender, the senses, collecting, religion and nationhood, from the 'birth' of barkcloth in the 18th century right up to contemporary Polynesian culture today, revealing not only how Tongans made (and still make) barkcloth, but also how it defines what it means to be Tongan. Extending the study outside of Tonga to explore the place of barkcloth in the European imagination, Veys addresses the museum collections of Tongan barkcloth held worldwide, from the UK to Italy, Switzerland to the USA, addressing the bias of the European 'gaze' and challenging traditional gendered understandings of the cloth. A nuanced narrative of past and present barkcloth manufacture, designs and use, Unwrapping Tongan Barkcloth demonstrates the importance of the textile to Polynesian culture both historically and today.

Fanny Wonu Veys is Curator Oceania at the National Museum of World Cultures, The Netherlands. She is President of the Pacific Arts Association Europe and has been a research fellow at the Musee du quai Branly in Paris, France and at the Metropolitan Museum of Art in New York, USA.