008 |
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210617s2017 enkag b 001 0 eng |
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|a 2016047542
|
020 |
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|a9781472414335
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|a9781472414311
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020 |
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|a9781472414328 (pbk.) :|cNT$1368
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|a9781315615080 (ebk.)
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|aDLC|beng|erda|cDLC|dTWNTU
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|aeng
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042 |
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|apcc
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050 |
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|aML410.B42|bC68 2017
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082 |
00
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|a786.2/183092|223
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095 |
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|aNLB|bA9|cE053223|d786.2183092|eC776|pBOOK|tDDC
|
100 |
1
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|aCooper, Barry|q(Barry A. R.)
|
245 |
14
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|aThe creation of Beethoven's 35 piano sonatas /|cBarry Cooper.
|
260 |
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|aMilton Park, Abingdon, Oxon ;|aNew York, NY :|bRoutledge,|cc2017.
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300 |
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|axi, 227 p. :|bill., music ;|c24 cm.
|
490 |
1
|
|aAshgate historical keyboard series
|
504 |
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|aIncludes bibliographical references (p. [207]-214) and indexes.
|
505 |
0
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|a1. Approaching Beethoven's piano sonatas -- 2. The Bonn sonatas -- 3. The Opus 2 sonatas and Haydn -- 4. The sonatas of 1796-97 -- 5. The sonatas of 1798-1800 -- 6. New century, new approaches -- 7. A 'new path'? -- 8. The middle period opens up -- 9. A Clementi commission -- 10. Moving into the late period -- 11. The last three sonatas.
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600 |
10
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|aBeethoven, Ludwig van,|d1770-1827.|tSonatas,|mpiano.
|
650 |
0
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|aSonatas (Piano)|xHistory and criticism.
|
830 |
0
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|aAshgate historical keyboard series.
|
941 |
|
|o76080|l676806
|