These essays by Robert Schwartz on topics in the theory of vision are                  written from a pragmatic perspective. The issues and arguments will interest both                  philosophers and psychologists, covering new ground and bridging gaps between these                  disciplines. Schwartz begins historically, with discussions of problems raised and                  solutions offered in Bishop Berkeley's writings on vision, presenting Berkeley's                  views on spatial perception and the qualitative aspects of sensory experience in the                  context of recent theoretical and empirical work in vision theory. Schwartz then                  turns to debates in both the philosophical and psychological literature over the                  view that perception is inferential and thus "indirect." Critically surveying                  competing characterizations of the idea of "inferential processes" he argues the                  need either to reframe radically the question or drop the issue. Next, Schwartz                  discusses pictorial representation and research on picture perception. Drawing on                  the work of Nelson Goodman, Schwartz explains and defends the advantages of a                  symbolic approach to both topics. Finally, he examines the quagmires that often                  develop when metaphysical concerns about the "real" and our ability to perceive it                  infect discussions and claims in the theory of vision. After analyzing issues                  arising in current psychological research on "object" perception, Schwartz turns to                  debates over the supposed essential nature of colors. An appreciation of the                  empirical and theoretical work on color perception suggests that there is no single                  or privileged analysis of the notion of "real colors." Schwartz circles back in the                  end to what he calls "that old chestnut of the philosophy of                  perception"--controversies over "the objects of perception"--and takes an Austinian                  look at the topic.