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Reading Comics : How Graphic Novels Work and What They Mean

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MARC

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677711

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OCoLC

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20220317140846.0

008		210707s2007 maua g b 001 0 eng d
010		\|a2007005232
020		\|a0306815095 \|q(hardcover : alk. paper) : \|cGIFT
020		\|a9780306815096 \|q(hardcover : alk. paper) : \|cGIFT
040		\|aDLC\|beng\|dTWNTU
043		\|an-us---
050	00	\|aPN6725\|b.W65 2007
082	00	\|a741.53\|2W862
095		\|aNLB\|bA9 \|cH006404\|d741.53\|eW862\|pBOOK\|tDDC
100	1	\|aWolk, Douglas
245	10	\|aReading Comics :\|bHow Graphic Novels Work and What They Mean /\|cBy Douglas Wolk
246	30	\|aHow Graphic Novels Work and What They Mean
250		\|afirst edition
260		\|aCambridge, MA :\|bDa Capo Press,\|cc2007
300		\|aviii, 405 p. :\|bill. ;\|c24 cm
500		\|a國科會補助人文及社會科學硏究圖書計畫(2882699)
504		\|aIncludes bibliographical references (p. 373-390) and index
505	0	\|aPt. 1. Theory and history. What comics are, and what they aren't -- Auteurs, the history of art comics, and how to look at ugly drawings -- What's good about bad comics, and what's bad about good comics -- Superheroes and superreaders -- Pictures, words and the space between them -- Pt. 2. Reviews and commentary. David B.: The battle against the real world -- Chester Brown: The outsider -- Steve Ditko: A is A -- Will Eisner and Frank Miller: The raconteurs -- Gilbert Hernandez: Spiraling into the system -- Jaime Hernandez: Mad love -- Craig Thompson and James Kochalka: Craft vs. cuteness -- Hope Larson: The cartography of joy -- Carla Speed McNeil: Shape-changing demons, birth-yurts and robot secretaries -- Alan Moore: The house of the magus -- Grant Morrison: The invisible king -- Dave Sim: Aardvark politick -- The dark mirrors of Jim Starlin's Warlock -- Tomb of Dracula: the cheap, strong stuff -- Kevin Huizenga: Visions from the enchanted gas station -- Charles Burns and Art Spiegelman: Draw yourself raw -- Why does Chris Ware hate fun? -- Alison Bechdel: Reframing memory -- Afterword: The rough wave and the smooth wave
520		\|aThe volume contains two sections: "Theory and History," an explanation of comics as a medium and an overview of its evolution, and "Reviews and Commentary," a diverse examination of creators and works. The second section spans Will Eisner's pioneering efforts as well as the groundbreaking modern comics by the Hernandez brothers, Chris Ware and Alison Bechdel
650	0	\|aComic books, strips, etc.\|zUnited States\|xHistory and criticism

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A guide to comics reviews titles, discusses authors, and analyzes the medium, its history, and its evolution into a serious art form, from the early works of Will Eisner to Alison Bechdel's "Fun Home" in 2006.

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Douglas Wolk writes about comics and music for publications including the New York Times, Rolling Stone, the Washington Post, Salon, and The Believer. He lives in Portland, Oregon.

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Reading Comics : How Graphic Novels Work and What They Mean

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