|aCrossing paths :|bSchubert, Schumann, and Brahms /|cJohn Daverio.
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|aOxford ;|aNew York :|bOxford University Press,|cc2002.
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|axii, 310 p. :|bill., music ;|c23 cm.
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|aIncludes bibliographical references and index.
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|tIntroduction: At the Intersection of Old and New Paths --|gPt. I.|tSchumann's One and Only Schubert.|g1.|tSchumann and Schubert's "Immortal" Piano Trio in E Flat, D. 929.|g2.|tThe Gestus of Remembering: Schumann's Critique of Schubert's Impromptus, D. 935 --|gPt. II.|tUttering "Clara" in Tones.|g3.|tSchumann: Cryptographer or Pictographer?|g4.|tBrahms's Musical Ciphers: Acts of Homage and Gestures of Effacement.|g5.|tThe Folded Fan --|gPt. III.|tA Noble Model.|g6.|tTranscendental Chess Games.|g7.|tBrahms, the Schumann Circle, and the Style Hongrois: Contexts for the "Double" Concerto, OP. 102.|tEpilogue: Crossing Paths and Modes of Experience.
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|aJohn Daverio explores the connections between art and life in the works of Schumann, Brahms and Schubert. He considers topics including Schubert and Schumann's ability to evoke memory in music, the supposed cryptographic practices of Schumann and Brahms, and the allure of the Hungarian Gypsy style.
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|aSchubert, Franz,|d1797-1828|xCriticism and interpretation.
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|aSchumann, Robert,|d1810-1856|xCriticism and interpretation.
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|aBrahms, Johannes,|d1833-1897|xCriticism and interpretation.