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Techniques of the contemporary composer

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495047

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20141031014332.0

008		141105s1997 nyua b 001 0 eng
010		\|a 97005415
020		\|a0028647378 (pbk.) :\|cNT$3983
020		\|a9780028647371 (pbk.)
035		\|a(OCoLC)36316000
040		\|aDLC\|beng\|cDLC\|dMUQ\|dBAKER\|dNLGGC\|dYDXCP\|dBTCTA\|dP4I\|dGEBAY\|dBDX\|dOCLCO\|dAKO\|dOLC
049		\|aFISA
050	00	\|aMT40\|b.C74 1997
082	00	\|a781.3\|221
095		\|aNLB\|bA9 \|cE050539\|d781.3\|eC782-2\|pBOOK\|tDDC
100	1	\|aCope, David,\|d1941-
245	10	\|aTechniques of the contemporary composer /\|cDavid Cope.
260		\|aBelmont, CA :\|bSchirmer Books ;\|aLondon :\|bPrentice Hall International,\|cc1997.
300		\|axiii, 250 p. :\|bill. ;\|c24 cm.
504		\|aIncludes bibliographical references (p. 239-245) and index.
505	0	\|aApproaches to composition -- Skills and tools -- The profession -- Rudiments of orchestration and form -- Basic key concepts -- Chromaticism -- Expansions and planing -- Polytonality -- Scales -- Motives -- Basic melodic concepts -- Extended melodic lines -- Accompaniments -- The overtone series -- Texture -- Consonance and dissonance -- Interval strengths -- Roots -- Progression strengths and chromaticism -- Basic concepts -- Fifth and fourth chords -- Second and seventh chords -- Interval combinations -- The row -- Category analysis and composition -- Combinatoriality -- Nonpitch serialism -- Pointillism -- Klangfarbenmelodie -- Basic pitch-class sets -- Analyzing sets -- Composing with pitch-class sets -- Vectors and z-complements -- Invariance and other variations
505	0	\|aBar lines and pulsation -- Freeing metric constraints -- Metric modulation -- Proportional notation -- Variations and overviews -- Texture -- Micropolyphony -- Spatial modulation -- Timbre modulation -- Rhythmic and other modulations -- Basic principles -- Equal temperament -- Intonation and tuning systems -- Microtones -- Instrument types -- Notations and effects -- Organization, direction, and drama -- Prepared piano -- Percussive effects -- Multiphonics -- Muting effects -- Extensions of traditional techniques -- Other effects -- New instruments -- Metric and improvisational notation -- Proportional and graphic notation -- Cluster notation -- Microtone notation -- Percussion and piano notation -- Electronic and computer notation -- Notations of nontraditional techniques -- Composer indeterminacy -- Performer indeterminacy -- Mobiles and stochastic music -- Uses of indeterminacy
505	0	\|aSources -- Basic techniques -- Recorders and tape -- Tape manipulation and effects -- General acoustic principles -- Electronic sound sources -- Sound manipulation -- Mixing and editing -- MIDI -- Composition processes and approaches -- General programming techniques -- Mathematical sources -- Musical sources -- Interactive and collaborative composition -- Multimedia -- Mixed media -- Intermedia -- Virtual reality -- Silence as minimalism -- Concept music -- Brevity works -- Continuities -- Phase and pattern music -- Situation and circumstance music -- Soundscapes -- Biomusic -- Antimusic -- Eclecticism -- Quotation -- Sectionalization -- Overlays -- Integration.
650	0	\|aComposition (Music)
650	0	\|aMusic\|y20th century\|xAnalysis, appreciation.
941		\|l487832

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This text is a practical guide to the compositional techniques, resources, and technologies available to composers today. Each chapter traces the development of traditional and modern elements that form the foundation of music in the late twentieth century. Among the subjects discussed are interval exploration, serialism, pitch-class sets, twelve-tone music, electronic music, algorithmic composition, and indeterminacy.

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Techniques of the contemporary composer

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