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|aDownes, Stephen C.,|d1962-
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|aThe muse as Eros :|bmusic, erotic fantasy and the male creativity in the romantic and modern imagination /|cStephen Downes.
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260 |
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|aAldershot, England ;|aBurlington, VT :|bAshgate,|cc2006.
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300 |
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|axii, 300 p. :|bmusic ;|c24 cm.
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504 |
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|aIncludes bibliographical references (p. [271]-291) and index.
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0
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|aIntroduction -- The muse as immaculate beloved : Stendhal's 'crystallization' process and listening to Rossini and Beethoven -- Schumann, Chopin, the fan of Eros, and the beloved's kiss -- The muse as temptress and redemptress : Sibelius's early symphonic narratives -- Mahler's fifth and sixth symphonies : idyllic fantasies, the sublime, formal mastery, and processes of mourning and reparation -- 'She dies' : trauma and erotic elegy in Bartok's pre-First World War music -- Names, chords, and the 'pale princess' in Debussy's musical language of love -- Poulenc's erotics of humour, melancholy, abjection, and redemption -- Names, chords and Lulu's portrait as muse -- Fetishistic 'inventions on a chord' : Szymanowski, Schumann, Brahms, Wagner, Weill, and Poulenc.
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650 |
0
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|aMusic|xPsychological aspects.
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650 |
0
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|aMusical analysis.
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650 |
0
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|aMusic and erotica.
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|d781.11|eD748|tDDC|pBOOK
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