005 |
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061117092700.0 |
010 |
|
|a2004-059377
|
020 |
|
|a0231133308 :|cUS|68.10
|
020 |
|
|a0231133316 (pbk.)
|
035 |
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|avtls000665751
|
035 |
|
|a(OCoLC)ocm56614243
|
040 |
|
|aTWNTU|beng|cTWNTU|dTWNTU
|
050 |
4
|
|aPN1993.5.C4|bB49 2005
|
095 |
|
|aNTTU|bG|cE035777|d791.4309|eB534|pBOOK|fSSJJ|zBOOK|m0|tDDC
|
100 |
1
|
|aBerry, Michael,|eauthor.
|
245 |
10
|
|aSpeaking in images :|binterviews with contemporary Chinese filmmakers /|cMichael Berry.
|
260 |
|
|aNew York :|bColumbia University Press,|c2005.
|
300 |
|
|ax, 568 p. :|bill. ;|c23 cm.
|
440 |
0
|
|aGlobal Chinese culture.
|
504 |
|
|aIncludes bibliographical references (p. [557]-568).
|
505 |
0
|
|aXie Jin: six decades of cinematic innovation -- Tian Zhuangzhuang: stealing horses and flying kites -- Chen Kaige: historical revolution and cinematic rebellion -- Zhang Yimou: flying colors -- Zhang Yuan: working up a sweat in a celluloid sauna -- Wang Xiaoshuai: banned in China -- Jia Zhangke: capturing a transforming reality -- Li Yang: the future of Chinese cinema? -- Hou Hsiao-hsien with Chu T'ien-wen: words and images -- Edward Yang: luckily unlucky -- Wu Nien-jen: writing Taiwan in the shadows of cultural colonialism -- Ang Lee: freedom in film -- Tsai Ming-liang: trapped in the past -- Chang Tso-chi: shooting from the margins -- Ann Hui: living through films -- Stanley Kwan: from spectral nostalgia to corporeal desire -- Fruit Chan: Hong Kong independent -- Peter Ho-sun Chan: pioneering pan-Asian cinema -- Evans Chan: the last of the Chinese.
|
650 |
0
|
|aMotion pictures|zChina.
|
650 |
0
|
|aMotion pictures|zTaiwan.
|
650 |
0
|
|aMotion pictures|zChina|zHong Kong.
|
809 |
|
|d791.4309|eB534|tDDC|pBOOK
|